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**Downloading and Installing**

If you can access the Internet, you can purchase a copy of Photoshop. Many companies offer the program for download as a trial version, but it’s not allowed for commercial use. After Adobe tests your computer, they can cancel your license

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This guide will walk you through some of the most important things you can do with Adobe Photoshop Elements and how to do them quickly and efficiently.

1. Correct Exposure, Color and Tone

Correctly exposed and calibrated photos can often look better than ones that are over or under exposed. For example, you might find one image of a house on the side of a hill, and another image of a similar house on the side of a mountain. One image may be exposed for the shady side of the house (fungible to blue roof / overhanging tree) while another might be correctly exposed for the sunny side of the house (fungible to blue roof / blue sky).

Note: Correct exposure is different from perfect exposure. A photo may be exposed for the outdoor side of a house, and still be properly exposed indoors. You want both images, because you still want the inside of the house. These two exposures may be somewhat different, but they are also correct.

Correctly exposed and calibrated photos often look better than those that are overexposed or underexposed. In this example, the tree is completely white, the sky is white, the roof is white, and the walls of the house are mostly gray.

The sky is blue and the house is blue. It’s similar, but you probably need more help to expose these properly (see below), and I’m just applying a light and a few dark tones here to bring out the house’s details.

When you shoot a photo, you’ll see the actual photo values in the exposure and exposure histogram. The area that’s gray or black in your histogram indicates areas of the photo that are underexposed or overexposed. The area that’s white or light blue in your histogram indicates exposures that are perfect and normally don’t need adjustments.

You probably don’t need to spend all your time adjusting the white and black (or white and gray) area, so save the time to concentrate on the gray and black (or white and gray). Note: If you want more detail on how to expose and correct, check out our course on Exposure, Color and Tone.

2. Correct White Balance

Adjusting the white balance makes it easier to see the gray tones. That’s the thing we should be adjusting here: The gray tones that are not white or black.
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/*******************************************************************************
* Copyright (c) 2015-2018 Skymind, Inc.
*
* This program and the accompanying materials are made available under the
* terms of the Apache License, Version 2.0 which is available at
*
*
* Unless required by applicable law or agreed to in writing, software
* distributed under the License is distributed on an “AS IS” BASIS, WITHOUT
* WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the
* License for the specific language governing permissions and limitations
* under the License.
*
* SPDX-License-Identifier: Apache-2.0
******************************************************************************/

package org.nd4j.parameterserver.distributed.messages;

import lombok.Builder;
import lombok.Data;
import lombok.Getter;
import lombok.NonNull;
import lombok.ToString;
import org.nd4j.linalg.api.ndarray.INDArray;
import org.nd4j.shade.jackson.annotation.JsonSubTypes;
import org.nd4j.shade.jackson.core.JsonGenerator;
import org.nd4j.shade.jackson.core.JsonParser;
import org.nd4j.shade.jackson.databind.JavaType;
import org.nd4j.shade.jackson.databind.SerializerProvider;

import java.io.IOException;
import java.util.HashMap;
import java.util.Map;

/**
* @author raver119@gmail.com
*/
@Getter
@JsonSubTypes({ @JsonSubTypes.Type(value = ScalarParamReadRequest.class, name = “scalarParamReadRequest”) })
@Data
@Builder
public class ScalarParamReadRequest extends BaseReadRequest {
@Override
public ScalarParamReadRequest createParam(@NonNull INDArray param) {
Map p = new HashMap

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